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Directly inspired by the aesthetics and approach of the print fanzines of the pre-internet era, the Cult Never Dies: The Mega Zine series expands the focus from Cult Never Dies’ previous black metal books to more fully document the metal underground. The fourth full-length work by Dayal Patterson (Black Metal: Evolution Of The Cult, Cult Never Dies Vol. One and Into The Abyss), featuring guest writing from the talented Frank Allain, this tome comprises of huge, candid and definitive interviews with: MYSTICUM, BAL-SAGOTH, IN THE WOODS…, REVEREND BIZARRE, INDESINENCE, NAHTRUNAR, SLEGEST, SCYTHIAN, LYCHGATE, MORK, ANCIENT, JON KRISTIANSEN and the story of HEAD NOT FOUND records, black metal photographer ESTER SEGARRA and illustrator GARETH ELLIOTT.

All orders will include a full-length Odium Records 20th anniversary CD compilation, featuring tracks from respected bands such as Mephorash, Varathron, Black Altar and Beastcraft, and including several previously unheard tracks.

New EP by Argentinian black thrash powerhouse, Vomit of Doom! Jointly released by Symbol of Domination Productions (Belarus), Morbid Skull Records (El Salvador) and Metal Masala (India)!

Gatefold, printed innersleeves, A2 poster, ltd. 350 on 180g red vinyl.

Releasing on 27.05.2016

Neoclassic Accoustic Folk

The Burning was the pre-Lustre project. Some of you may wrongfully consider the same as a rough version of the Swedish acclaimed project but are really missing the target. The Burning is like watching the majesty of the nightsky, a large and even more dreaming version of the darker and more depressive declination that Lustre took later on.
The 2cd edition is a comprehensive collection of all material released by the The Burning, nothing missed. Atmospheric Black Metal at the state of art, where a deeply emotional keyboard layer is like shred by the abrasive primeval guitar sound.
The edition is a limited to 600 copies Gatefold Digipak version.

Brutal Death Grind from Germany

AT THE GATES are innovators. From debut album, The Red In The Sky Is Ours, through comeback stunner, At War With Reality, the Gothenburg-based death metal act have always traversed the left-hand path on their own terms. The Swedes are keenly aware of who they are, where they come from, and how they got to where they are today. In the ‘90s, AT THE GATES spearheaded The New Wave of Swedish Death Metal. In the aughts, then-swansong album, Slaughter Of The Soul, served as a feature-rich treasure chest for a host of upstarts to plunder. When AT THE GATES returned in 2008—a full 12 years after they disbanded—their return was celebrated and the follow-up to Slaughter Of The Soul—now placing handsomely on Top Metal Album Lists—hotly anticipated. Now, four years after At War with Reality, the Swedes are ready to show their indomitable spirit, ceaseless ingenuity, and raw power on new album, To Drink From The Night Itself.

Five years after the grandiose “Imperator”, the Norwegian Angel Of Death returns with a truly outstanding new full length album “Interequinox” – a monstrous maelstrom of eclectic, theatrical Black Metal mixed with hints of ecstatic horror, psychedelia and pure beauty.

Meticulously composed with passion and devotion, this cathartic offering is a powerful torrent of immersive melodies, hypnotic riffing and, above all, an array of spectacular vocals – harsh, clean, male, female, sensual and frightening – the narrative is both complex and wonderfully captivating.

With “Interequinox” DØDSENGEL have conjured an astonishing piece of Esoteric Black Metal, a dark, immersive Occult Opera and an unmissable sonic experience this year!

Dissonance Productions re-issue the classic albums of Austrian death metal band Pungent Stench.
“Been Caught Buttering” is Pungent Stench's second album, originally released in 1991 on Nuclear Blast. The album art, which depicted two severed, partially decomposed heads kissing (in fact, it is one head which had been sawed in half by photographer Joel-Peter Witkin), had to be changed for the Australian release. The controversy alone caused global interest in the band. “Been Caught Buttering”, garnered the group considerable attention in the morbid death metal/grindcore underground, because of their perversities as well as their style of music.

Hailing from Italy, TALV started in early 2012 under the name of Trees In The Fog. Their purpose has always been to merge dissonant and melancholic black metal with a touch of ambient music.
Like painting a dismal scenario, TALV’s new effort is drowned into the darkest north-Italian naturalistic black metal inspiration. The cold and freezing guitar sound reminds of Tenebrae in Perpetuum and Beatrik’s classics, while the prevailing desperate feelings position the band within the groove of depressive black metal.
What makes of Talv a personal and unique project is the wise equilibrium between a hateful, cold hunger and a fragile background soundscape. The ColdWorld cover further emphasizes the strong visionary ambient perspective and inspiration of this raising underground project.

Hailing from USA, ELEGIAC inhabit the realms of the most traditional and genuine Black Metal. They ride with a vengeance those same old battlefields illuminated by the glorious black metal blazes of the past, evoking memories of the Walpurgisnacht and – more prosaically – of Finnish/Scandinavian or USBM early underground metal marvels like Satanic Warmaster, early Gorgoroth, Horna, Sargeist & Judas Iscariot.

Raw and abrasive sounding, yet characterized by magnificent melodic guitar lines crashing against walls of primeval hate, “Black Clouds of War” is permeated by a dark mysticism deeply rooted in the collective consciousness of the werewolf’s myth, with all its deriving metaphysical metaphors and spiritual implications. An overwhelming enthusiasm will conquer the most nostalgic black metal hearts in the scene.

“Backwater” is an enveloping and suffocating funeral death doom opus, the distressing awareness of the nothingness, transcending in the oblivion, and feeding on the black void. The relationship between state of mind and nature, the desolation and vast sense of distance are the main themes. An introspective, mournful journey, deeply rooted into the unknown. Like a flood of impenetrable black magma.

Fruit of the Loom, Value Weight

THE LURKING FEAR is no longer just the title of a classic H.P. Lovecraft horror story. It now represents a new five-piece death metal band featuring some of the finest musicians to come out of Sweden. Consisting of Tomas Lindberg (At The Gates/Disfear) on vocals, guitarists Jonas Stålhammar (God Macabre/Bombs Of Hades) and Fredrik Wallenberg (Skitsystem), bassist Andreas Axelson (Tormented/Disfear)and Adrian Erlandsson (At The Gates/The Haunted) on drums, the “supergroup” tag might come to mind, but as Tompa explains that is far from reality: “We want to steer away from the project / supergroup label. THE LURKING FEAR just happens to be five guys that are in or have been in other bands for a long period of time. We've all known each other since 1989 – me and Jonas were writing letters back and forth and tape trading – so I have no idea why it took so long for us to get together and do this.” And everyone who appreciates pure, timeless death metal inspired by Autopsy, (early) Death, Morbid Angel, Possessed or Repulsion will be beyond happy that they finally did as “Out Of The Voiceless Grave” is one hell of an album. Written within a mere two months, it strikes with an authentic, furious intensity and successfully avoids a retrospective, ancient sound by purpose: “We don't want to try and recreate something that we've done in our other bands,” says Lindberg. “And we know what we don't want. There are bands that try too hard to recreate that old school sound, and they make it too dirty and too raw just for the sake of it. We want to make good recordings that sound heavy as fuck and are well produced, but at the same time we want to expose that raw nerve that is missing in some of the more modern stuff.” Songs like “Vortex Spawn”, “The Infernal Dread”, “Upon Black Winds”, “Winged Death” or “The Starving Gods Of Old” are best proof that THE LURKING FEAR accomplished this goal. A must-have for any death metal maniac out there!

24-bit remastering from original source tapes, five bonus tracks, 3,500 word essay about the making of the album, band involvement and additional photos spread out over a 16 page full colour booklet.

SPECIAL DELUXE COLLECTOR’S EDITION, FULLY REMASTERED SOUND, 12 PAGE FULL COLOUR BOOKLET, 3,500 WORD ESSAY ABOUT THE MAKING OF THE ALBUM, NEW INTERVIEWS AND ENHANCED ARTWORK.

Includes the following CDs in a digisleeve:

Angels Cry
Holy Land
Freedom Call
Holy Live
Fireworks